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Alvino Rey
Alvin McBurney (July 1, 1908 — February 2, 2004), known by his stage name Alvino Rey, was an American swing era musician and pioneer, often credited as the father of the pedal steel guitar. He was mainly associated with orchestral, big band and swing music, and towards the end of his career, jazz and exotica.
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Richard Maltby, Sr
Richard Eldridge Maltby, Sr. (June 26, 1914 – August 19, 1991) was an American musician, conductor, arranger and bandleader, most notable for his 1956 recording (Themes From) "The Man With the Golden Arm". He was also the father of the Broadway lyricist and director Richard Maltby, Jr.
After studying briefly at Northwestern University's music school, he left college to become a full time musician. He played trumpet with several big bands, including those of Little Jack Little, Roger Pryor, Bob Strong and Henry Busse, as well as also doing some arranging. In 1940, he took a job as an arranger for the orchestra of the Chicago-based radio station, WBBM, before moving to New York in 1945 to become an arranger-conductor on network radio, where he worked with Paul Whiteman. In 1942, Benny Goodman recorded his composition "Six Flats Unfurnished."
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After studying briefly at Northwestern University's music school, he left college to become a full time musician. He played trumpet with several big bands, including those of Little Jack Little, Roger Pryor, Bob Strong and Henry Busse, as well as also doing some arranging. In 1940, he took a job as an arranger for the orchestra of the Chicago-based radio station, WBBM, before moving to New York in 1945 to become an arranger-conductor on network radio, where he worked with Paul Whiteman. In 1942, Benny Goodman recorded his composition "Six Flats Unfurnished."
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Ben Pollack
(June 22, 1903 – June 7, 1971) was a drummer and bandleader from the mid 1920s through the swing era. His eye for talent led him to either discover or employ, at one time or another, musicians such as Benny Goodman, Jack Teagarden, Glenn Miller, Jimmy McPartland and Harry James. This ability earned him the nickname "Father of Swing".
Born in Chicago, Illinois to a well-to-do family, Pollack was largely self taught as a drummer, and was afforded the opportunity to become the drummer for the New Orleans Rhythm Kings, a top jazz outfit, in the early '20s. In 1924 he played for several outfits, including some on the west coast, which ultimately led to his forming a band there in 1925. One of the earliest members of his band was Gil Rodin, a saxophonist whose sharp business acumen served him well later as an executive for the Music Corporation of America (MCA). Rodin also served as the "straw boss' for Pollack along with the young arranger-trombonist Glenn Miller. Already recognized as immensely talented on the clarinet, sixteen-year-old Benny Goodman began working with Pollack in 1925 as well.
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Born in Chicago, Illinois to a well-to-do family, Pollack was largely self taught as a drummer, and was afforded the opportunity to become the drummer for the New Orleans Rhythm Kings, a top jazz outfit, in the early '20s. In 1924 he played for several outfits, including some on the west coast, which ultimately led to his forming a band there in 1925. One of the earliest members of his band was Gil Rodin, a saxophonist whose sharp business acumen served him well later as an executive for the Music Corporation of America (MCA). Rodin also served as the "straw boss' for Pollack along with the young arranger-trombonist Glenn Miller. Already recognized as immensely talented on the clarinet, sixteen-year-old Benny Goodman began working with Pollack in 1925 as well.
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GUY LOMBARDO
Gaetano Alberto "Guy" Lombardo (June 19, 1902 – November 5, 1977) was a Canadian-American bandleader and violinist. Forming "The Royal Canadians" in 1924 with his brothers Carmen, Lebert, and Victor and other musicians from his hometown, Lombardo led the group to international success, billing themselves as creating "The Sweetest Music This Side of Heaven." The Lombardos are believed to have sold between 100 and 300 million phonograph records during their lifetimes.
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Kay Kaiser | Ray McKinley
Ray McKinley (June 18, 1910 –May 7, 1995) was an American jazz drummer, singer, and bandleader.
McKinley got his start working with local bands in the Dallas–Fort Worth area, before joining Smith Ballew in 1929, when he met Glenn Miller. The two formed a friendship which lasted from 1929 until Miller's death in 1944. McKinley and Miller joined the Dorsey Brothers in 1934. Miller left for Ray Noble in December 1934, while McKinley remained. The Dorsey Brothers band became Jimmy's after Tommy left and formed his own band in 1935.
McKinley remained with Jimmy until 1939, when he joined Will Bradley, becoming co-leader. His biggest hit with Bradley, as a singer, was "Beat Me Daddy, Eight to the Bar," which he recorded early in the year 1940, (and for which McKinley got partial songwriting credit under his wife's maiden name Eleanore Sheehy). He is referred to as "Eight Beat Mack" in the lyrics to the song "Down the Road a Piece," which he recorded as a trio with Will Bradley and Freddie Slack in 1940. This was the earliest recording of the song, which was written specifically for Bradley's band by Don Raye. McKinley and Bradley split in 1942 and McKinley formed his own band, which recorded for Capitol Records. The McKinley band was short-lived. When McKinley broke up the band, he joined Glenn Miller's Army Air Force band, which he co-led with arranger Jerry Gray after Miller's disappearance in December 1944. Upon being discharged at the end of the following year, McKinley formed an excellent, remarkably modern big band that featured a book of original material by legendary arranger Eddie Sauter (along with a helping of novelty vocals by the leader). Sam Butera, later of the back up band for Louis Prima was also a member. But with the business in decline, by 1950 that band was history and McKinley began evolving into a part-time leader and sometime radio and TV personality. In 1956, capitalizing on the popularity of The Glenn Miller Story movie with James Stewart, McKinley was chosen to be the leader of the revived Glenn Miller band, which he led until 1966. He co-hosted (with former Air Force band vocalist Johnny Desmond) a 13-week CBS-TV summer series with the band on CBS-TV in 1961. Ray McKinley's last recording session was in 1977 for Chirascuro records.
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James Kern (“Kay”) Kyser (June 18, 1905 – July 23, 1985) was a popular bandleader and radio personality of the 1930s and 1940s. He was born in Rocky Mount, North Carolina, the son of pharmacists Paul Bynum Kyser and Emily Royster (Howell) Kyser, and a cousin of editor Vermont C. Royster. Kyser graduated from the University of North Carolina at Chapel Hill, where he was senior class president, with a Bachelor of Arts degree. Because of his popularity and enthusiasm as a cheerleader, he was invited by Hal Kemp to take over as bandleader when Kemp ventured north to further his career. He began taking clarinet lessons but was better as an entertaining announcer than a musician. He adopted the initial of his middle name as part of his stage name, for its alliterative effect.
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McKinley got his start working with local bands in the Dallas–Fort Worth area, before joining Smith Ballew in 1929, when he met Glenn Miller. The two formed a friendship which lasted from 1929 until Miller's death in 1944. McKinley and Miller joined the Dorsey Brothers in 1934. Miller left for Ray Noble in December 1934, while McKinley remained. The Dorsey Brothers band became Jimmy's after Tommy left and formed his own band in 1935.
McKinley remained with Jimmy until 1939, when he joined Will Bradley, becoming co-leader. His biggest hit with Bradley, as a singer, was "Beat Me Daddy, Eight to the Bar," which he recorded early in the year 1940, (and for which McKinley got partial songwriting credit under his wife's maiden name Eleanore Sheehy). He is referred to as "Eight Beat Mack" in the lyrics to the song "Down the Road a Piece," which he recorded as a trio with Will Bradley and Freddie Slack in 1940. This was the earliest recording of the song, which was written specifically for Bradley's band by Don Raye. McKinley and Bradley split in 1942 and McKinley formed his own band, which recorded for Capitol Records. The McKinley band was short-lived. When McKinley broke up the band, he joined Glenn Miller's Army Air Force band, which he co-led with arranger Jerry Gray after Miller's disappearance in December 1944. Upon being discharged at the end of the following year, McKinley formed an excellent, remarkably modern big band that featured a book of original material by legendary arranger Eddie Sauter (along with a helping of novelty vocals by the leader). Sam Butera, later of the back up band for Louis Prima was also a member. But with the business in decline, by 1950 that band was history and McKinley began evolving into a part-time leader and sometime radio and TV personality. In 1956, capitalizing on the popularity of The Glenn Miller Story movie with James Stewart, McKinley was chosen to be the leader of the revived Glenn Miller band, which he led until 1966. He co-hosted (with former Air Force band vocalist Johnny Desmond) a 13-week CBS-TV summer series with the band on CBS-TV in 1961. Ray McKinley's last recording session was in 1977 for Chirascuro records.
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James Kern (“Kay”) Kyser (June 18, 1905 – July 23, 1985) was a popular bandleader and radio personality of the 1930s and 1940s. He was born in Rocky Mount, North Carolina, the son of pharmacists Paul Bynum Kyser and Emily Royster (Howell) Kyser, and a cousin of editor Vermont C. Royster. Kyser graduated from the University of North Carolina at Chapel Hill, where he was senior class president, with a Bachelor of Arts degree. Because of his popularity and enthusiasm as a cheerleader, he was invited by Hal Kemp to take over as bandleader when Kemp ventured north to further his career. He began taking clarinet lessons but was better as an entertaining announcer than a musician. He adopted the initial of his middle name as part of his stage name, for its alliterative effect.
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